Large Crane Flies, Family Tipulidae

Large crane flies (Family Tipulidae) are indeed large, so much so that most people think theyre giant mosquitoes. Theres no need to worry, because crane flies dont bite (or sting, for that matter). Please note that members of several other fly families are also referred to as crane flies, but this article focuses only on the large crane flies classified in the Tipulidae. Description: The family name Tipulidae derives from the Latin tipula, meaning water spider. Crane flies are not spiders, of course, but do appear somewhat spider-like with their extraordinarily long, slender legs. They range in size from tiny to large. The biggest North American species, Holorusia hespera, has a wingspan of 70mm. The largest known tipulids   inhabit southeastern Asia, where two species of Holorusia measure a whopping 10 cm or more in wingspan. You can identify crane flies by two key features (see this interactive labelled image of each ID feature) First, crane flies have a V-shaped suture running across the upper side of the thorax. And second, they have a pair of conspicuous halteres just behind the wings (they look similar to antennae, but extend from the sides of the body). Halteres work like gyroscopes during flight, helping the crane fly stay on course. Adult crane flies have slender bodies and a single pair of membranous wings (all true flies have one pair of wings). Theyre typically unremarkable in color, though some bear spots or bands of brown or gray. Crane fly larvae can withdraw their heads into their thoracic segments. Theyre cylindrical in shape, and slightly tapered at the ends. They generally inhabit moist terrestrial environments or aquatic habitats, depending on the type. Classification: Kingdom - AnimaliaPhylum - ArthropodaClass – InsectaOrder – DipteraFamily - Tipulidae Diet: Most crane fly larvae feed on decomposing plant matter, including mosses, liverworts, fungi, and rotting wood. Some terrestrial larvae feed on the roots of grasses and crop seedlings, and are considered pests of economic concern. Though most aquatic crane fly larvae are also detritivores, some species prey on other aquatic organisms. As adults, crane flies are not known to feed. Life Cycle: Like all true flies, crane flies undergo complete metamorphosis with four life stages: egg, larva, pupa, and adult. Adults are short-lived, surviving just long enough to mate and reproduce (usually less than a week). Mated females oviposit either in or near water, in most species. Larvae may live and feed in the water, underground, or in leaf litter, again, depending on the species. Aquatic crane flies usually pupate underwater, but emerge from the water to shed their pupal skins well before sunrise. By the time the sun rises, the new adults are ready to fly and begin searching for mates. Special Behaviors and Defenses: Crane flies will shed a leg if needed to escape the grasp of a predator. This ability is known as autotomy, and is common in long-legged arthropods like stick insects and harvestmen. They do so by means of a special fracture line between the femur and trochanter, so the leg separates cleanly. Range and Distribution: Large crane flies live throughout the world, with over 1,400 species described globally. Just over 750 species are known to inhabit the Nearctic region, which includes the U.S. and Canada. Sources: Borror and DeLongs Introduction to the Study of Insects, 7th Edition, by Charles A. Triplehorn and Norman F. Johnson.Encyclopedia of Entomology, 2nd Edition, edited by John L. Capinera.Catalogue of the Craneflies of the World, Pjotr Oosterbroek. Accessed online October 17, 2015.Tipulidae – Crane Flies, Dr. John Meyer, Department of Entomology, North Carolina State University. Accessed online October 17, 2015.Family Tipulidae – Large Crane Flies, Bugguide.net. Accessed online October 17, 2015.Crane Flies, Missouri Department of Conservation website. Accessed online October 17, 2015.Insect Defenses, Dr. John Meyer, Department of Entomology, North Carolina State University. Accessed online October 17, 2015.

Self And The City. Chris Abani’S Latest Novel, The Virgin

Self and the City Chris Abani’s latest novel, The Virgin of The Flames, appears to explore a plethora of quintessentially American themes such as race, religion, sexuality, gender, urban environment, and self discovery. Like many of the previous works of American literature read in this course that act as a window into American life at the time of their publication, The Virgin of The Flames is a bay window to the state of the American psyche as a product of the nation’s history, leading up to Black, a muralist in East Los Angeles. While the novel reads a little strange and can try to grab at too many big ideas at once, the two pillars of conflict in Black’s character effortlessly parallel core conflicts of American life. The origin of†¦show more content†¦Freedom within restraints is a contradicting idea, but just like the other themes and conflicts mentioned before, contradictions have dominated American life since 1776. Mark Twain pioneered this theme in all of his works about slavery, including Pudd’nhead Wilson, which was unsurprisingly the first book read in the semester. Roxy finds her literal and personal freedom and retains her personal freedom even after being sold back into slavery by her son, Chambers came to terms with his servitude to then be freed and learn to behave in the restraints of society, Tom lives too freely and is turned immoral by lack of discipline being ultimately resigned to the restraints of slavery, and lastly Pudd’nhead Wilson comes to terms with the restraints of his nickname, personally liberating himself, which leads to him eventually become recognized beyond his reputation. In the acclaimed Their Eyes Were Watching God by Zora Neal Hurston, Janie Crawford gets a taste of personal freedom at a young age from a pear tree, describing it as sexual liberation from â€Å"root to tiniest branch creaming in every blossom and frothing with delight.† (11. Eyes Watching). She is restrain ed by her grandmother, whose experience causes her to fear the effects of excessive freedom and build restraints for safety. She lectures

Music Concert Report Essay Example For Students

Music Concert Report Essay The meter was % and the dynamic was mezzo forte. Following Passions, Elizabeth Whimper, a soprano, performed Somebody, Somewhere from The Most Happy Fell by Frank Lesser of the 20th century. This piece had a melody and a meter of 4/4. There was sonata and the piece was pianissimo due to its softness. The third performance was by Fawn Augusta on the piccolo, and Attacks Gewgaw on the piano. They performed Concerto for Piccolo and Orchestra, Pop, 50: l. Andante Common composed by Lowell Liebermann in the 20th century. There was a harmony and a theme. There was also a meter of 2/4 and he piece was fortissimo. The next piece was a piece from Paul Read, called Suite from the Victorian Kitchen; l. Prelude. This was written in the 20th century and had a meter of 2/4. I found this piece to be pianissimo for its soft sounds. As well as having a harmony and variation. The fifth performance was by Strains Alienable; she performed Wedding Day at Dreadnought, by Depraved Grief on the piano. This piece is from the Romantic period. It was written in 1896 as a memorial of the 25th wedding anniversary of Grief and his wife. Depraved was a Norwegian composer and a pianist. The dynamics of this piece is mezzo piano. I found this piece to be mezzo piano due to its moderate softness. The meter seemed to be %, and it had a melody. I distinguished the form as variation. The sixth piece performed was Gig IL sole deal Gang performed by Franà §ois Begging on the bass, and Dry. Maria Asterisked on the piano. The composer of this piece is Alexandra Scarlatti. It was written in the Baroque period. Scarlatti was an Italian Baroque composer; he was famous for his operas and chamber cantatas. The dynamic of this piece was mezzo forte. This is because of its moderate loudness. I found the meter to be 4/4, as well as an absent form. The next performer was Alexander A. Costa playing the trombone, with Attacks Gewgaw on the piano. Together they performed Concerto for Trombone: l. Allegro vice, and II. Andante cantabile. This piece is from the Romantic period and was composed by the Russian composer, Nikolas Rims Karaoke. The dynamics was mezzo piano, with a meter of%. There was a harmony, and the piece was in the form of sonata. The eighth performer was Cattily Tougher on the tenor saxophone, and Attacks Gewgaw on the piano. They performed Contest Caprice composed by Leroy Astronomy. This piece is from the 20th Century. This piece had a 4/4 meter and had a Music Concert Report By Nolan slight theme to the piece as well. Next, Ben Holland (flute), and Attacks Gewgaw (piano) performed Andante in C Major for Flute and Piano. Wolfgang Amadeus Mozart composed this piece in the Classical period. This piece contained a melody and harmony, as well as variations. There was a meter of 2/4 and had dynamics of mezzo piano. The tenth performance was How Could I Ever Know? From The Secret Garden. This piece was composed by Lucy Simon in the 20th Century and performed at KICK by Rehab Roth (soprano), and Dry. Maria Associates (piano). This piece is. I distinguished the dynamics as mezzo forte, with a 2/4 meter. There was melody and harmony in this piece, along with sonata. For the next piece, Eric Papa on the clarinet, and Astute Gewgaw on the piano performed Cantonment. Gabriel Pierre composed this piece in the Romantic period. There was a melody and theme, along with the dynamics of forte, and a % meter. Laura Carelessly performed the twelfth piece on the flute. She performed Partial in A Minor; Bourne Angles. Johann Sebastian Bach composed this piece in the Classical period. .u192ce8ddb73ce0d4036b08570f1c24bb , .u192ce8ddb73ce0d4036b08570f1c24bb .postImageUrl , .u192ce8ddb73ce0d4036b08570f1c24bb .centered-text-area { min-height: 80px; position: relative; } .u192ce8ddb73ce0d4036b08570f1c24bb , .u192ce8ddb73ce0d4036b08570f1c24bb:hover , .u192ce8ddb73ce0d4036b08570f1c24bb:visited , .u192ce8ddb73ce0d4036b08570f1c24bb:active { border:0!important; } .u192ce8ddb73ce0d4036b08570f1c24bb .clearfix:after { content: ""; display: table; clear: both; } .u192ce8ddb73ce0d4036b08570f1c24bb { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u192ce8ddb73ce0d4036b08570f1c24bb:active , .u192ce8ddb73ce0d4036b08570f1c24bb:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u192ce8ddb73ce0d4036b08570f1c24bb .centered-text-area { width: 100%; position: relative ; } .u192ce8ddb73ce0d4036b08570f1c24bb .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u192ce8ddb73ce0d4036b08570f1c24bb .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u192ce8ddb73ce0d4036b08570f1c24bb .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u192ce8ddb73ce0d4036b08570f1c24bb:hover .ctaButton { background-color: #34495E!important; } .u192ce8ddb73ce0d4036b08570f1c24bb .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u192ce8ddb73ce0d4036b08570f1c24bb .u192ce8ddb73ce0d4036b08570f1c24bb-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u192ce8ddb73ce0d4036b08570f1c24bb:after { content: ""; display: block; clear: both; } READ: Javanese Gamelan music EssayThere was a meter of 4/4, as well as the dynamics of mezzo forte. A melody was present along with sonata and theme. Last but not least, Colic Sector brought down the house on the piano with his performance of FRR ©d ©rich Chopping Revolutionary Etude. Chopin composed this piece in the Romantic era. It had a melody and sonata. The meter is 4/4 and I distinguished the dynamic as forte. In conclusion, the Student Recital Ill at Kowtows University was an enjoyable evening full of great music along with intellectually stimulating experiences of music that I would not have listened to if not for this assignment.